Street scenes

I am constantly saving pictures for potential paintings - this painting was from a picture taken several years ago when I went to Victoria for my first watercolour workshop.  I did not turn out any keepers in that workshop but got some good photos.  Still plugging away at this one.  A few little tweaks with perspective and it should all be good to go!  Savy Painter podcasts keep me motivated while I am painting.

9x12 oil on linen panel

The blahs...

I tried to do a quick one hour oil sketch from life. However, I found the result so boring I wiped it off.  I must have chosen the wrong colours and I really did not want to spend a lot of time trying to do the tablecloth pattern so this was a wiper!

Figure Drawing

One of the best ways to improve your drawing skills is to take a figure drawing class.  Which is what I am doing now.  This is a copy of an old master drawing so I had about 3 hours to work on it versus the drawings done in class are roughly 1 1/2 hrs each.

Charcoal and Chalk on toned paper

Practise til perfect

9x12 oil on panel

This little keeper is created for an upcoming 'Call for entries'  and I am still working out some shading issues, but the theme was retro.  This one is either Saturday morning cartoons or Rumpus room View - orange shag and wood panel - ahh the 70's.  Speaking of which, I found these dandy fashions when I googled orange shag, retro styles, etc. - shocking, yet refreshing to see models who are soooo normal!!

retro mens wear 70's

Onward...

I am reading a really great book on Leonardo da Vinci by Walter Isaccson   Da Vinci was amazing with the scope of his projects and skills.  However he did have a difficult time 'finishing' his projects.  Reading this made me feel a bit better about my sometimes painting habit of working on something then not quite calling it finished and leaving it 'for awhile'.  NOT that I am anywhere near the skill level of 'Leo' but I could totally relate to how he would often not finish a number of his projects.  He was often "stymied because his conceptions were "so subtle and so marvellous" that they were impossible to execute faultlessly. "It seemed to him that the hand was not able to attain to perfection of art in carrying out the things which he imagined" p 81

I am sure many artists out there can relate to this, in that what we envision the painting to look like just never seems to turn out the way we want.  My current struggle is with creating light in my paintings - so I am back to studying more on value and colour to try to help with this.  Below are this weeks homework for Figure Drawing class and my recent stab at 'finishing' the sleigh ride painting.

Charcoal sketch of Old Master drawing for homework

Calling it on this oil on panel

Finishes and starts

Starting a painting is always easy and exciting and hopeful.  You get this picture in your head about how you are going to do this piece and of course it is quite perfect.  Then you start - and I always seem to really like the painting up to about 1/2 or 3/4 of the way through.  Then something goes south, a part of the picture isn't working or you over work it or you get bored with the painting.  I often (and I guess a lot of artists do this) abandon the painting or set it aside for awhile and then just can't start it again - mostly cause I don't quite know what to do to 'fix' it, I found this website,  Draw, paint, mix that helps you to get past this problem.

This oil sketch below is just a quick one - to help me loosen up - completed in about an hour

Oil on 8x10 wood panel

 This is an example of a painting that I was loving, but then ended up overworking bits and not liking it by the time it ended.  Must embrace these experiences and learn I guess!

Ukrainian Village church - Oil on 9x12 panel

The Lineup

In an attempt to squeeze in some painting, I did a quick draw and sketch in oil from a photo. This herd of cows was eyeballing all the tourists near a canal in Holland and they looked like a police line-up of suspects, hence the name.

18x14 oil sketch on canvas